Australian designers get on board for new Wellington skatepark

A Destination Skatepark in Kilbirnie is getting ready to roll with skatepark specialist company CONVIC confirmed as designers.

Krysta Ashwell. Credit: Convic

After a thorough selection process including Wellington Skate Association committee members, Wellington City Council has confirmed the Destination Skatepark in Kilbirnie will be designed and fabricated by CONVIC

The Australia-based Design and Construction company specialise in skateparks and youth spaces with over 900 parks designed and built around the world, including Valonia Skatepark in Auckland and Pizzey Park on the Gold Coast in Australia. 

President of the Wellington Skateboarding Association Max Olijnyk says they’re excited to work with CONVIC in developing the design for Kilbirnie. 

“Based on their track record, we are confident CONVIC will deliver a world-class skate facility that caters to users of all skill levels and interests. We've skated their parks before and can't wait to roll on one purpose-built for Wellington. 

“This skatepark will be a huge boost for the New Zealand scene and attract people from all over the world – as well as functioning as a vital hub for the local community. Hopefully this is the first of many more awesome contemporary skate facilities for the Wellington region.” 

Valonia Skate Park, Auckland. Photo Credit: CONVIC.

To secure the skatepark designer, Council underwent a rigorous procurement process with support from the Wellington Skateboarding Association. CONVIC came out as the preferred supplier due to their proven ability and experience with projects of this scale. They will be working with local contractors and suppliers wherever possible, as they did for Valonia Skatepark in Auckland.

CONVIC are specialists in design and construction of skateparks, with 20 years of experience working on skateparks worldwide. 

“Skateparks are much more than just a concrete slab with a few obstacles, it is a community space for hanging out and catching up with friends, it can be an iconic colourful piece of art that represents your culture, community and identity,” explains the team at CONVIC. 

“It is a place for having fun and getting outdoors. The concept of a skatepark is always evolving and developing as trends change within the skate scene, we can’t wait to work closely with the local community to create something amazing that reflects the community for people to enjoy into the future. 

Invercargill skatepark by CONVIC. Photo credit John Torney.

“We designed the Valonia skatepark in Auckland, Whitianga skatepark, Invercargill skatepark, and way back over 10 years ago the Washington skatepark in Christchurch.  It is great to be back in Aotearoa, particularly with a number of expat Kiwis in our design team.” 

Council approved $5.64 million of capital funding to go towards the development of a large regional skate facility following a feasibility study through the 2021-2024 Long-term Plan process, and based on findings of the 2020 Skate Community Engagement Report and the 2017 Wellington Play Spaces Policy.

 Chair of Kōrau Mātinitini | Social, Cultural, and Economic Committee Councillor Teri O’Neill says this announcement is good news for so many reasons.

 “Not only will this area be a destination site for the local skate community, but also for nationwide and international events. Everything from national skateboarding and scootering championships to training and other roller sports.  

“Our We Skate Pōneke campaign helped to remove stigma associated with skating, and to focus more on the positives like sustainable travel, it’s fun and flexible, and the significant physical and mental health benefits. 

“This Destination Skatepark meets Council’s priority objectives to be a city fit-for-purpose for community, creative and cultural spaces, and aligns with the strategy for Children and Young People.”

 The project pre-design consultation will be done alongside the community in February, with the draft concept and more community input following soon after.

This article was originally published by Tō Tātou Pōneke, and is shared with permission.